- Joyner Lucas "I'm Not Racist" Official Lyrics & Meaning.
If you haven’t seen the original video, it’s amazing. As he notes, “as soon as the video opens immediately it’s offensive. immediately.” The video opens with a white guy rapping, and if you don’t know who Joyner Lucas is, you’re going to assume he’s this white guy who starts his rap as follows:
With all due respect
I don’t have pity for you black niggas, that’s the way I feel
Screamin’ “Black Lives Matter”
All the black guys rather be deadbeats than pay your bills
Yellin’ “Nigga this” and “Nigga that”
Call everybody “Nigga” and get a nigga mad
As soon as I say “Nigga” then everyone react
And wanna swing at me and call me racist ‘cause I ain’t black
3 January 2018, late evening
I watched Bright tonight, Netflix’s take on a buddy-cop Shadowrun film. Will Smith stars as a hardboiled cop. His partner is a well meaning Orc, trying to make it in a racist (literally, I suppose) police force. The world building in the film is pretty great, though all the commentary and parallels to our world are a bit too on the nose. Still, it seems to work well enough. The film doesn’t shy away from how silly its premise is. There are some parts of the film that don’t make much sense if you think too hard about them, but it’s a fun movie all the same. If you read a review of this movie that talks about Tolkein and not Shadowrun you can safely ignore it.
You can watch Bright on Netflix.
Movies
3 January 2018, late evening
The last film I watched while travelling to and from England last month was Kong: Skull Island. This movie follows a crew of scientists and soldiers who are off to investigate Skull Island. It’s a motley crew, and of course it all turns to shit and there is a giant monkey in the mix. It’s a pretty solid action film, and likely the spring board for some ridiculous multi-movie extravaganza about giant monsters. I think i’m down for that.
The official Kong: Skull Island website.
Movies
3 January 2018, evening time
Guy Ritche does a fantasy film about King Arthur and it’s more or less exactly how I pictured a Guy Ritchie take on British fantasy. It’s so over the top. The pacing is manic. I liked the film well enough. It was panned by critics, but if you’re on an airplane i’d say you could do worse than watch this film.
Movies
3 January 2018, evening time
DC’s superhero films really have been mostly dreadful, so this Wonder Women film was quite refreshing. The film is an origin story of sorts, set during the First World War. Gal Gadot plays Wonder Women, and does a wonderful job. Chris Pine is an American spy who draws her into the larger conflict taking place in the world. By no means is it superlative film making, but it’s well put together and coherent, and that’s more than I was expecting. The ending of the film is a bit weak, but on the whole this is a fun film to watch. Also, Gal Gadot is so hot it’s crazy.
The official Wonder Women website.
Movies
3 January 2018, evening time
The emotional weight of this movie about monkeys. “This wall is madness. It won’t save him like it won’t save you.” A jab at trump? War for the Planet of the Apes is the most recent of the new Planet of the Apes films. These movies are really well done. Surprisingly so. The special effects for these monkeys is really quite remarkable. Serkis’s performance as the monkey in charge, Ceaser, is excellent. This movie follows him and his band of monkeys as they try and survive while avoiding the Humans who are trying to kill them. This may be the plot to all the new Planet of the Apes movies.
The official War for the Planet of the Apes
Movies
3 January 2018, evening time
The airplane probably wasn’t the best place to watch Alien: Covenant. The film is the sequel to Prometheus. The film opens up with a colony ship full of people in cryosleep waking up because of an accident. They redirect their ship to a nearby planet and it all turns to shit from there. I fear the directors took the criticisms of Prometheus a bit too much to heart. This film tries very hard to explain everything that’s going on. There is no mystery. It’s also less visually interesting than Prometheus. It’s still an Alien film though. There are lots of blood and guts and cool Alien shit, but on some level it all felt like something I’d seen before.
The official Alien: Covenant website.
Movies
- Postmortem: Every Frame a Painting.
Tony Zhou’s series of movie making was amazing, and i’m sad to see it go. The first thing I learned reading this article was that there was a second person involved in making the films, Taylor Ramos.
But as always, there’s a difference between what the law says and how the law is implemented. You could make a video that meets the criteria for fair use, but YouTube could still take it down because of their internal system (Copyright ID) which analyzes and detects copyrighted material.
So I learned to edit my way around that system.
Nearly every stylistic decision you see about the channel — the length of the clips, the number of examples, which studios’ films we chose, the way narration and clip audio weave together, the reordering and flipping of shots, the remixing of 5.1 audio, the rhythm and pacing of the overall video — all of that was reverse-engineered from YouTube’s Copyright ID.
It’s annoying they had to deal with this, but it’s also interesting that the constraints YouTube placed on them helped produce the series unique style. Unfortunately, this could only get them so far.
The script you’re reading right now is the ultimate example of our failure. We could not figure out how to turn this script into a video essay. Half of the things in this script required filming new footage, or using still images or extensive re-writes to fit other people’s footage. In other words, this script shows the limits of the style we forged three years ago — and frankly, it was pretty constricting.