A painting of me

My countrymen impressed me, simply, as being, on the whole, the emptiest and most unattractive people in the world. It seemed a great waste of one’s only lifetime to be condemned to their chattering, vicious, pathetic, hysterically dishonest company. There other things to do, other people to see, there was another way to live! I had seen it, after all, and I knew. But I also knew that what I had seen, I had seen from a distance, a distance determined by my history. I was part of these people, no matter how bitterly I judged them. I would never be able to leave this country. I could leave it briefly, like a drowning man coming up for air. I had the choice of perishing with these doomed people, or of fleeing them, denying them, and in that effort perishing. It was a very cunning trap, and a very bitter joke. For these people would not change: the very word caused their eyes to unfocused, their lips to loosen or tighten, and sent them scurrying to their various bomb-shelters.
— James Baldwin in Tell Me How Long the Trains Been Gone

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